"Relocating Popular Music, a lively and timely contribution to music studies, makes a clear case that we really should be paying more attention to how music, as it is made, transmitted and consumed, plays an important role in power struggles about the meanings of space. Among such studies, this book makes a unique contribution by showing how the 'relocating' of popular music can make its relationship to places all the more significant and multi-faceted." - Andrew Killick, University of Sheffield, UK In that year, he became a Columbia artist, recording 14 albums there until July 1941, when he returned to Odeon where he would stay until his demise, also recording four songs for RCA Victor days before the accident. "Music's apparently increasing freedom from particular places in the Internet era has been accompanied, ironically, by a growth in studies on music's continuing connections to place. In 1939, he was was the launcher of the genre samba-exaltação, recording 'Aquarela do Brasil' (Ary Barroso). Merging theoretical insights and original case studies, the book is a highly welcomed addition to the growing literature on popular music and space, and especially on the ways popular music ushers in aesthetic cosmopolitanism." - Motti Regev, The Open University of Israel, Israel
"This collection of articles captures some of the multiple, complex and intricate ways through which the movement of contemporary musical sounds, styles and genres across the globe has an immense impact on notions of identity and their sense of place. Brazil (Aka Aquarela do Brasil) Antonio Carlos JobimStone Flower (CTI Records 40th Anniversary Edition) Originally Released 1971 Sony Music EntertainmentR.
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